The Innocent Eyeexhibition identity, catalogue and printed materials
The unusual cropping of a feature Folk Art portrait along with the usage of period typography, provided for a memorable identity for The Innocent Eye exhibition.
The unusual cropping of a feature Folk Art portrait along with the usage of period typography, provided for a memorable identity for The Innocent Eye exhibition.
Over several years, MZD produced the graphics for a variety exhibitions including title walls and didactic panels, catalogues, invitations, and other printed materials.
Since photographs of site-specific works were not attainable prior to the exhibit opening, Marc instead photographed maquettes, borrowed drawings, and used interviews and other materials to represent the forthcoming pieces in the exhibition catalogue. The book was divided into sections for the five artists, each with a unique grouping of visual elements and text, and produced with feeling of a sketchbook or journal.